乡风市声里的忧郁:王占黑小说风格论

Melancholy in Urban Discourses with Hometown Style:On Wang Zhanhei’s Novel Style

近年来随着现代化的进程使得城市成为新的“故乡”,一种融合了“乡风”与“市声”的城市乡土书写便浮现于“80后”“90后”作家的笔端。王占黑的写作因其文学空间的特殊性,在同类型的返乡文本中独树一帜,表现出一种独特的忧郁情调。本文试图从作品涉及的空间定位、代际特征和个体经验出发,多维地锚定忧郁作为一种审美风格对于王占黑的意义,揭示其在当代文坛的潜在异质性以及向未来敞开的延展性。同时探讨在新冠时代的挑战与机遇中,王占黑新作中孕育风格转型的可能性。

In recent years, with the process of modernization which has turned the city into a new “hometown”, a kind of “urban local writing” that combines “hometown style” and “urban discourse” has emerged in the writings of post-80s and post-90s writers. Among them,Wang Zhanhe’s writing is unique due to the particularity of its literary space, showing a unique melancholy mood. This paper attempts to multidimensionally anchor the significance of melancholy as an aesthetic style for Wang Zhanhei from the spatial positioning, inter-generational characteristics and individual experience involved in the works, and reveal the potential heterogeneity of “Wang Zhanhei’s melancholy” in the contemporary literary world and its extendability which openning to the future. Finally, from the challenges and opportunities of the COVID-19era, it discusses the possibility of the style transformation bred in Wang Zhanhei’s new works.