艺术空间公共性的跨媒介建构:针对图像—物与比特的思考

Intermedial Construction of the Public Nature of Art Space:Reflections on Image-object and Bit

文章聚焦大卫·史密斯(David Smith)的雕塑摄影以及NFT艺术,分析二战后艺术空间公共性的内涵与形式的嬗变。从雕塑的视觉传播到艺术品时空的去物质化,媒介深刻重塑了艺术的创作与传播,影响了艺术空间生产范式的转换。在梳理和分析这条媒介线索的同时,文章反思现代主义的话语建构,进而指向了对当代技术文化环境下艺术的新感性与新公共性的思考。

Focusing on David Smith’s sculpture photography and NFT art, this paper analyzes the transmutation of the connotations and forms of the public nature of art space after World War II.From the visual transmission of sculptures to the dematerialization of artworks, the medium has profoundly reshaped the creation and transmission of art and influenced the paradigm shift in the production of art space. While sorting out and analyzing the thread of medium, the essay probes into the discursive construction of modernism, which in turn points to a reflection on the new sensibility and new public nature of art in the contemporary techno-cultural environment.