论展览标签“去中心化”——以观念艺术策展实践为语境

The Decentreing of the Form of the Exhibit Label under Curatorial Practices Context of the Conceptual Art

展览标签是艺术展览的重要组成部分。本文运用国际最新的艺术学理论和传播学原理,以观念艺术为参照样本,对其多场展览进行考察和剖析,深入探究了展览各个主体之于展览标签的赋权问题,重点分析了观念艺术时代对展签呈现形式的影响,即“去中心化”。文章认为,新式展览标签应与声音、口头或书面文字、装置、视频等统为一体,当代博物馆、美术馆和画廊应当将展览标签的去中心化过程融入其形式和构成要素中,也应当适当地让展览标签的制作和接受变得越来越民主化。

The exhibit labels are an important part of an art exhibition. By referring the latest art theories and principles of communication, this paper takes the Conceptual art as a reference to investigate its exhibition cases, deeply exploring the empowerment to the exhibit label of each subjectswithinanexhibition. Emphatically, the paper analyzes the influence of the Conceptual art on the presentation form of exhibit labels — decentring. The paper argues that innovative exhibit labels should be integrated with sound, orallanguage or written text, installations, videos, and that contemporary art museums and galleries should integrate the label’s decentring process into its form and constituent elements and appropriately democratise the production and acceptance of the label.