摘要
迟子建《世界上所有的夜晚》自问世以来广受学界关注。然而,当研读的切口越来越多,解读“千人千面”,反而容易令人遗忘其本真面目。只有回归文本,探究小说从乌塘、三山湖“少数人的夜晚”推演至“世界上所有的夜晚”这一生成路径的合理性,才能更好地理解小说的原生之意,体会从个体走向群体所具有的社会性启示与意义,以及作家迟子建“向下式超越”的悲悯之心。
Chi Zijian’s All the Nights in the World has received a lot of attention from the academic circles since its publication.However,when there are more and more cuts in the study,it is easy to forget the true nature of the novel with"a thousand people giving a thousand interpretations".Only by returning to the text and exploring the rationality of the novel’s path from the"night of a few"in Wutang and Sanshan Lake to"all the nights in the world"can we better understand the novel’s original meaning and appreciate the social nature of moving from the individual to the group,as well as the compassionate heart of writer Chi Tzu Chien’s"downward transcendence".
作者
王文芳
WANG Wen-fang(College of humanities,Shenzhen University,Shenzhen,Guangdong,518000)
出处
《广州广播电视大学学报》
2023年第1期85-90,112,共7页
Journal of Guangzhou Open University
关键词
迟子建
《世界上所有的夜晚》
个体与群像
共情
Chi Zijian
All the Nights in the World
individual and group images
empathy