新媒体舞蹈艺术:构建在3D视界上的审美感知——以《既视感》为例

New Media Dance Art: Aesthetic Perception Based on 3D Vision——Taking "Déjà vu" as an Example

当代科技的飞速发展,为舞蹈艺术创作提供了更为广阔的创新空间。编舞家不再拘泥于传统的手法进行舞蹈创作,而是与声音、影像等新媒体艺术家们共同合作,从而实现舞蹈艺术创作多样化、丰富化的发展格局。虽说新媒体舞蹈已经成为当今世界创作、表演的主流艺术形式,并有着丰富、多样的形态特征,但它却极大地改变了观众的审美视域。本研究以新媒体舞蹈作品《既视感》为个案,从科技与舞蹈跨域发展、创作,以及审美的视角出发,对“虚拟影像”与“身体”的跨界作进一步概括与诠释,探索新媒体技术与身体跨域所呈现出的审美特征的同时,也力图揭示出其所产生的新问题。

The rapid development of contemporary science and technology has provided a broader space for the innovation of dance art. Choreographers no longer stick to traditional methods to create dance, and they cooperate with new media artists such as the artists engaged in sound and video, so as to realize the diversified and plentiful development pattern of dance art creation. New media dance has become the mainstream art form created and performed in the world today, and has rich and diverse forms. However, it has greatly changed the aesthetic ken of the audience. Taking the new media dance work "Déjà vu" as an case, from the perspective of the cross-domain between the technology and dance, and its creation and aesthetics, this paper further summarizes and interprets the cross-domain presentation of "virtual image" and "body",in attempt to explore the aesthetic elements produced by the new media technology and body of cross-domain and reveal the new problems arising from the process.