从形式到观念:孙颖舞蹈创作中的形象、方法与价值观

From the Form to the Concept: Image, Method and Values in Sun Ying’s Dance Creation

中国古典舞创作,实质上是技艺形态与思维形态在历史传承和舞台创新的交叠中完成的想象性重构。重构,是在创造性转化的历史之维中继承中国传统艺术的内涵、意蕴与精神。树立以民族性的身体与表征性的作品,体现文艺“两新”发展的核心。本文以当代中国古典舞奠基人、汉唐古典舞流派创建者孙颖教授为中心,从三个向度阐释中国古典舞创作中的核心问题,即历史之维中构建形象、审美之维中承接气韵和文化之维中对接历史。同时,梳理创作中的典型、母题、史境等命题,为当前中国古典舞的创作所涉之症结提供一些建议与思考。

The creation of Chinese classical dance is, in essence, an imaginative reconstruction of the art form and the thinking form completed in the overlapping of historical inheritance and stage innovation. Reconstruction is to inherit the connotation, implication and spirit of traditional Chinese art in the creative transformation of the historical dimension and is to set up works with national body and representation to embody the core of the "new literary and artistic organization and new literary and artistic community" development in the area of literature and art. Focusing on Professor Sun Ying, the founder of contemporary Chinese classical dance and the founder of the classical dance school in the Han and Tang dynasties, this paper expounds the core issues in the creation of Chinese classical dance from three dimensions, namely,the construction of images in the dimension of history, the inheritance of the artistic conception in the dimension of aesthetics, and the connection of history in the dimension of culture. This paper also sorts out the typical works, motif,historical context and other topics in the dance creation, and provides some suggestions and reflections on the crux involved in the current creation of Chinese classical dance.