摘要
胡塞尔和潘诺夫斯基对绘画作品的讨论都围绕图像展开,但体现了两条不同的图像研究进路,背后隐含的是两种不同的图像观看方式:潘诺夫斯基对图像的观看是一种识别性视看,目的在于概念性地把握图像的内容及意义;胡塞尔则强调观看的直接性,关注图像的意义如何在当下感知中得到创建。
Husserl and Panofsky's discussions on paintings both focused on images,but they put forth two different approaches to image research,behind which lie two different ways of viewing images.Panofsky's viewing of images is based on intellectual discernment,the purpose of which is to conceptually grasp the content and meaning of the image.Husserl's viewing of images emphasises the directness of viewing and thus focuses on how the meaning of the image can be established through perception.
出处
《艺术探索》
2023年第1期79-85,共7页
Arts Exploration
基金
中央高校基本科研业务费专项资金资助项目“胡塞尔的图像现象学研究”(S20220102)。
