摘要
叶广芩在小说《长虫二颤》中不仅批判了以男性为主导的人类中心主义,还揭示了农村场域中女性话语的缺失和女性与自然被异质同构为父权制下他者的境况。同时,作家也看到了市场经济发展对社会和男女两性关系带来的利弊,虽然她有时会不小心落入父权制话语思维之中,但是她通过历史传说展现了男性对女性和自然的施暴,以及不同空间对女性未来的影响,显示了一个女性作家的女性主义批判立场。
Ye Guangqin not only criticizes the male-dominated anthropocentrism in his novel Chang Chong Er Chan,but also reveals the absence of female discourse in the rural field and the situation that women and nature are heterogeneous isomorphism as others under patriarchy.At the same time,the author also sees the advantages and disadvantages of the development of market economy on the society and the relationship between men and women.Although she sometimes falls into the patriarchal discourse thinking accidentally,she shows the history of men’s violence against women and nature through historical legends and shows the feminist critical position of a female writer by pointing out the impact of different spaces on the future of women.
作者
孔岩
马彦蕾
KONG Yan;MA Yan-lei(Yan'an University,Yan'an 716000 China)
出处
《新余学院学报》
2023年第1期88-92,共5页
Journal of Xinyu University
关键词
叶广芩
《长虫二颤》
生态女性主义
动物小说
“双声话语”
Ye Guangqin
Chang Chong Er Chan
ecological feminism
animal novels
"double-voiced discourse"