摘要
20世纪70—90年代旅德游记作品塑造了冷战时期以及冷战结束之后的德国人形象,描述了不同类型的德国人物特征。随着中国学人对德国社会的了解不断深入,德国人的形象也得到了全面而客观的展现。德国人形象的塑造与变化反映了中国学人对西方现代性的认知、想象与理性思索,呈现了中国学人的主观诉求与心路历程,反映了中国学人在文化自觉中的体验、对中国文化的思考以及对现代性道路的反思。
Chinese travelogues from the 1970s to the 1990s constructed images of the German during and after the cold war. As the Chinese got a deeper understanding of German society, images of the German appeared to be more comprehensive and objective in the view of the Chinese, which reflects the Chinese perception, imagination and rational thinking about western modernity. The varied images of the German shows the Chinese scholars’ subjective aspirations and their mind-sets, reflecting their experience in cultural self-awareness, as well as their thinking about Chinese culture and their reflection on the path of Chinese modernity.
作者
杨秋宁
YANG Qiuning(School of Marxism,Xuzhou Medical University,Xuzhou 221004,China)
出处
《无锡职业技术学院学报》
2023年第1期44-48,共5页
Journal of Wuxi Institute of Technology
基金
江苏省社会科学基金项目“改革开放以来文学作品中德国人形象与当代中国现代性研究”(18WWB004)。
关键词
德国游记散文
形象学
现代性
文化自觉
German travelogue prose
figuration
modernity
cultural self-consciousness