摘要
《中原音韵》桓欢韵的真实性及其语音性质,学界一直存在争议。本文以《中原音韵》桓欢韵为核心,梳理了其前后文献中桓欢韵的表现形式,提出:《中原》桓欢韵的独立,前有所承,后有所传,是14世纪中叶汉语共同语音系的真实反映,到明代中后期,特别是《青郊杂著》(1581)以后,桓欢韵的消失才开始成为共同语音系的主流特征。
Previous studies have failed to reach a consensus on the authenticity and phonetic nature of Huanhuan rhyme in Zhongyuan Yinyun(中原音韵).The paper elaborates on the Huanhuan rhyme in ZhongyuanYinyun,and combs its development in different times.Through these studies,the independence of Huanhuan rhyme in Zhongyuan Yinyun has been proved to be a true description of the mandarin phonetic system in the mid-14th century.In addition,it was not until the middle and late Ming Dynasty,especially after the publication of Qingjiao Zazhu(青郊杂著),that the disappearance of Huanhuan rhyme began to become the mainstream feature of the mandarin phonetic system.
出处
《古汉语研究》
CSSCI
北大核心
2023年第1期96-108,128,共14页
Research in Ancient Chinese Language
基金
国家社科基金重大项目“明清民国珍稀时音韵书韵图整理集成与研究”(19ZDA308)
国家留学生基金委员会“国家建设高水平大学公派研究生项目”(202206190126)
江苏省研究生科研与实践创新计划项目“明代官话罗马字拼音方案整理集成与研究”(KYCX21_0016)。
关键词
近代汉语
官话
《中原音韵》
桓欢韵
modern Chinese
mandarin
Zhongyuan Yinyun
Huanhuan rhyme
