民国时期线装书“高丽纸”印本述略

A Brief Account of the Printed Version of the Thread Bound Book “Goryeo Paper” in the Period of the Republic of China

清宫旧藏高丽纸的来源以域外朝贡、商贸和再造仿制为主,近代以来这批高丽纸陆续散出,坊间可得,同时民间也有通过再次加工的手段获得高丽纸的情况。因高丽旧纸质地优良,兼具古意,以周叔弢、傅增湘及故宫博物院为代表的一批藏书家及出版机构,纷纷以此纸作为印刷珍贵古籍、书画、碑帖用纸,成为民国时期古籍印刷的一种独特的文化现象。通过文献梳理,可以考证出民国时期以高丽旧纸印刷的线装书实物,展现高丽纸作为古籍印刷用纸的特点,同时探求民国时期藏书家及出版机构在传播珍贵古籍时所作的贡献和“好古求旧”的心境。

In Qing Dynasty, the source of the Goryeo paper was mainly tribute, trade and reproduction.After 1911, the old Goryeo paper in Qing Dynasty was scattered out, which was available in the market. At the same time, people also get Goryeo paper through reprocessing. Due to the high quality of the old Goryeo paper and its ancient meaning, a group of book collectors and publishing institutions represented by Zhou Shutao, Fu Zengxiang and the Palace Museum used this paper for printing precious ancient books, paintings and inscriptions,. It became a unique cultural phenomenon in the printing of ancient books in the period of the Republic of China. Through literature review, we can research the thread bound books printed on Goryeo paper in the period of the Republic of China and reflect the characteristics of Goryeo paper in ancient book printing. At the same time, it explores the contribution of individuals and publishing institutions to the dissemination of precious ancient books and the mood of “seeking for the old”.