摘要
数字全息影像在当下艺术与科技高度协同的意愿下发展。本研究的具体目的是,探索数字全息影像作为一种创新技术,恢复并再现文物及其当时出土的文化历史面貌。数字全息影像作为一种创造性的展示媒介,不仅可弥补博物馆展示上的不足,还可以激发观众的感知,提升观者对历史、考古、艺术等方面的兴趣。为了实现这些目标,本文提出并应用了一种全新的方法——“4RE”,包括再定义、再创造、再构建和再展示。此外,一种新的艺术形式“全息蒙太奇”(Holomontage)被开发出来,可作为一种展示博物馆物品的创造性方式。本文含有一个基于数字全息影像的元代青花瓷的考古出土案例,由此可更好地了解数字全息在展示上的创新设计应用。
Digital hologram is developed under the will of art and science and technology. The specific aim of the work was to explore digital hologram as an innovative technology to recover detailed comprehensive impressions of cultural relics and their surroundings and environment, as well as to represent historical culture. As a creative display medium, digital hologram can not only make up for the deficiency of museum display, but also stimulate the audience’s perception and enhance the audience’s interest in history, archaeology, art and other aspects. A new methodology involving redefinition, recreation, reconstruction, and representation(the “4RE” method) is proposed and applied to achieve these objectives. A new artistic form “Holomontage” was developed as a modality for creative display of museum objects. This paper contains an archaeological excavation case of blue and white porcelain of Yuan dynasty based on digital holography, so as to better understand the innovative design application of digital holography in display.
作者
王硕
丁一夫
魏舒蕊
谢莎莎
WANG Shuo;DING Yifu;WEI Shurui;XIE Shasha(Beijing Institute of Graphic Communication,Beijing 102600,China)
出处
《北京印刷学院学报》
2023年第2期57-63,共7页
Journal of Beijing Institute of Graphic Communication
关键词
数字全息影像
青花瓷
全息蒙太奇
考古
博物馆展示设计
协同艺术与科技
digital hologram
blue and white porcelain
Holomontage
archaeology
museum display design
science and art interdisciplinarity