基于梅兰芳表演美学的京剧动画表演研究

A Study of Peking Opera Animation Performance Based on Mei Lanfang’s Performance Aesthetics

京剧动画是动画与京剧相结合的特殊民族动画类型。其在表演上以京剧的程式化表演作为依托,又吸收了梅兰芳表演的改革思想和立象表意的实践追求,形成了戏剧化、弹性化、程式化的动画歌舞表演特征。因此,本文通过对京剧动画表演的基本原则和表演核心的深入分析,具体解读了“移步不换形”的京剧改革思想和创造身体意象的表演追求对京剧动画表演形成的重要影响。

Peking opera animation is a special national animation type combining animation and Peking opera. Its performance is based on the stylized performance of Peking opera, and absorbs the reform thought of Mei Lanfang’s performance and the practical pursuit of standing image and expression, forming the characteristics of dramatic, flexible and stylized animation song and dance performance. Therefore, through an in-depth analysis of the basic principles and performance cores of Peking opera animation performance, this paper interprets the important influence of the Peking opera reform idea of “moving steps but not changing forms” and the performance pursuit of creating physical imagery on the formation of Peking opera animation performance.