佐藤春夫传统回归意识下的佛教认知

Haruo Sato’s Buddhist Cognition Under the Consciousness of Traditional Restoration

佐藤春夫作为耽美主义的代表作家在日本近代文坛具有举足轻重的地位。昭和时期的日本处于动荡不安之中,通过佛教视角探寻救赎的出路则成为该时期佐藤春夫文学的主题。在此期间,其文学中的佛教认知是基于对日本净土宗鼻祖法然的崇拜和传统回归意识展开的,最具代表性的作品当属连载于《东京日日新闻》的《掬水谭:法然上人别传》。该作品在推崇法然思想的同时,以平安末期之动荡不安影射昭和时期的日本社会。其中,法然思想的民族属性和传统价值正是佐藤春夫在昭和时期透过佛教回望古典、强调传统精神的根本要因。作为耽美主义、“日本浪漫派”代表作家的佐藤春夫,其传统回归意识下的佛教认知在彰显独特个性的同时,亦反映了昭和时期日本文坛的时代共性。

As a representative writer of Aestheticism,Haruo Sato plays an important role in modern Japanese literature.During the Showa period,Japan was in turbulent years,searching for salvation and a way out through the perspective of Buddhism became the theme of Haruo Sato’s literature.In the meanwhile,his buddhist cognition is based on the adoration of Honen,the founder of Japanese Pure Land Buddhism,and the traditional restoration.The most representative work in this period should be“Kikusuitan:?Honen Shonin Betsuden”,which was serialized in Tokyo Daily News.While advocating Honen’s thought,it alludes to the Japanese society in the Showa period with the turbulence of the end of the Heian period.The national attribute and traditional value of Honen’s thought are the fundamental reasons for Haruo Sato to look back on the classics and emphasize the traditional spirit through Buddhism during the Showa period.As one of the representative writers of Aestheticism and Nihon Romanha,Haruo Sato’s buddhist cognition under the consciousness of traditional restoration reflects the commonality of Japanese literary in Showa period while reserving its unique characteristic and value as well.