遗民叙事与图像互文:郑思肖诗画的自传性与家国隐喻

Adherent Narration and Image Intertextuality:Autobiography and Metaphor of Country in Zheng Sixiao’s Poems and Paintings

中国易代之际的遗民叙事往往以个体命运牵引出王朝兴亡的历史背景,这种叙事不仅显明地呈现于遗民文人的文学创作中,亦展露于其绘画作品中,诗画的互文性,令其作品显示出明确的自传性与家国隐喻。宋末元初的郑思肖作为中国历史上著名的爱国文人,其诗画作品中的自传性,体现在其真实记录了宋末元初的遗民心态与历史图景,呈现出“诗史”之旨。自然意象和人物意象作为其诗画作品的川中韫玉,突出表现了其卓越的艺术创造力和炽烈的家国情怀。

Chinese adherent narration at the time of the change of generation often leads to the historical background of the rise and fall of the dynasty with individual destiny.This kind of narration is not only prominently displayed in the literary creation of adherents,but also in their paintings.The intertextuality of poetry and paintings makes their works show clear autobiographical and metaphor of country.As a famous patriotic scholar in the history of China,Zheng Sixiao in the late Song Dynasty and the early Yuan Dynasty recorded the mentality and historical picture of the adherents in his poems and paintings,showing the aim of"poetry history".The natural image and character image are the essences of his poetry and painting works,highlighting his outstanding artistic creativity and fervent national feelings.