跨文化视野下当代中国舞蹈的发展及其特征与问题

Development of Contemporary Chinese Dance and Its Characteristics and Problems from a Cross-Cultural Perspective

在中国文化“走出去”的新时代,对中国舞蹈的跨文化实践与研究,正可彰显舞蹈艺术家与研究者构建人类命运共同体的历史使命与人文担当。文章基于对当代中国舞蹈跨文化研究的实践与现状的综述,从跨文化视野对当代中国舞蹈的理论范式与时代路径从四个发展时期进行梳理,描述在不同的时代文化语境中,当代中国舞蹈不同的文化想象、身份追寻、意识形态表征等文化价值取向。在此基础上,文章进一步对中国舞蹈发展中的跨文化方案,从艺术语言的转变、理论范式的流变、主体间对话这三个方面进行思考与阐析。

In the new era of Chinese culture “going out”, the cross-cultural practice and research of Chinese dance is the historical mission and humanistic responsibility of dance artists and researchers to build a community with a shared future for mankind. Based on the summary of the practice and current situation of cross-cultural research on contemporary Chinese dance and from a cross-cultural perspective, this paper compares the theoretical paradigm and path of contemporary Chinese dance from four development periods. It describes the different cultural value orientations of contemporary Chinese dance, such as cultural imagination, identity pursuit, and ideological representation in cultural contexts of different times. On this basis, the paper further considers and analyzes the cross-cultural scheme in the development of Chinese dance from three aspects: the transformation of artistic language, the evolution of theoretical paradigm, and the dialogue between subjects.