摘要
基于艺术史研究的本质属性,所展现出的叙事路径必然具有呈现其史学观念的问题,这既是为明确研究立场、观点和方法寻找合适的治史支撑,又是为史学研究的作用与地位探明相应的价值判断依据。因此,针对史学观念问题的探讨,更多的是需要关注史学观念产生的时代背景及其蕴含在整个研究进程中指导思想的确立。依此,将艺术史与艺术史观的认识线索进行关联,从艺术史学研究的独立性出发,注重对学科本位基础上的跨学科与跨门类艺术史研究交叉发展的探讨,尤其是关注在艺术史研究积累基础之上确立以何种视角、何种方式书写艺术史,带有治史者的思考与主观意志,这是一种以主观介入客观的史学观立场。本文的探讨自然是一个起点,目的是将艺术史研究中的史学观念构筑起一个适合讨论的框架逻辑,以推进其研究。
The narrative path, which isbased on the nature of the study of art history, must have the issues of historical conception, this is because, on the one hand, the narrative path should find proper support for the study of history for a clear study standpoint, viewpoint and method;on the other hand, the narrative path needs the basis of value judgment for the function and status of historical study. Therefore, in the study of historical conception, more attention should be paid to the background and the establishment of the guiding ideology through the whole study process. Afterwards, we can connect the clues of art history withthe conception of art history so as to pay attention to the interdisciplinary study of art history on the basis of the disciplinary standard, based on the independence of the study of art history. Particularly, we should focus on the perspective and way of writing of art history, on the basis of the previous study of art history, This represents the thinking and subjective consciousness of historians, as well as a historical standpoint which manifests how the subject can intervene the objective. This paper, which is a starting point of the discussion, aims to construct a logical discussion framework with historical conceptions in the study of art historyso as to advance the study itself.
作者
夏燕靖
Xia Yanjing(Shanghai Jiao Tong University,Shanghai,200240)
出处
《民族艺术研究》
2023年第1期5-17,共13页
Ethnic Art Studies
基金
国家社会科学基金艺术学重大项目“跨门类艺术史学理论与方法研究”(项目批准号:20ZD25)的阶段性研究成果。
关键词
艺术史研究
史学观念
跨学科视角
study of art history
historical conception
interdisciplinary perspectives