基于“艺术介入乡村”实践下的乡村公共审美空间逻辑与机制

The Logic and Mechanism of Rural Public Aesthetic Space Based on the Practice of “Art Intervention in the Countryside”

当代“艺术介入乡村”实践目的是以艺术为中介、乡村为中心构建新型公共审美空间。面对审美陈旧化、审美空间狭小、审美基础条件不足等现状,根据乡村公共审美空间的“内—外”逻辑,要求我们一方面由外向内,培植乡村的审美力量,形成乡村本地的审美建设者团队;另一方面由内向外,使乡村的审美空间向城市敞开,形成城乡合一的文化本位发展模态。基于近十年“艺术介入乡村”的主流实践,通过以家、自然与城乡互助为中心的三种实践机制,促进人们家园意识的实现,重塑乡土生态文明的发展策略,切实加强乡村生活实践。同时,乡村公共审美空间建设的困境也昭示我们,乡村建设始终要以乡村文化为本源、以科学规划为导向、以乡村教育为基石,最终实现乡村公共审美生活的繁荣发展。

The practical purpose of contemporary “art intervention in countryside” is to build a new public aesthetic space with art as the intermediary and countryside as the center. Faced with problems such as aesthetic obsolescence, narrow aesthetic space, and inadequate aesthetic basic conditions, we took the “internal-external” logic of rural public aesthetic space. On the one hand, from the outside to the inside, it is necessary to cultivate the aesthetic power inside the countryside so as to form a local team of aesthetic builders. On the other hand, from the inside out, it is necessary to open the aesthetic space in countryside to city so as to form the cultural development mode of urban-rural integration. Based on the mainstream practice of “art intervention in the countryside” in the past decade, as well as three practical mechanisms centering on family, nature and mutual assistance between urban and rural areas, it is possible to promote the realization of people’s sense of home, to reshape the development strategy of local ecological civilization, and to strengthen the practice of rural life. At the same time, the dilemma of rural public aesthetic space construction also shows us that rural construction should always follow these tips: rural construction should always be based on rural culture, be guided by scientific planning and be based on rural education. The ultimate goal is to achieve the prosperity and development of rural public aesthetic life.