摘要
伍德彝的祖上经营怡和行,清代嘉庆、道光时期富甲一方。同治年间出生的伍德彝,成长在经济条件优裕、文化气息浓郁的家庭环境中,其书画、诗词、印章皆有存世。目前学术界就伍德彝的专题研究方面,书画、诗词领域均有涉猎,伍德彝与高剑父的交集研究也取得了成果、而印章的考释还有待深入。本文尝试以现藏于广州艺术博物院、曾被著名学者容庚教授所鉴藏的伍德彝画作《花鸟鱼虫图四屏》,广东省立中山图书馆藏《懿庄印存》及广州市海珠区文物博物管理中心藏《潘飞声自用印存》为中心展开研究,结合相关的藏品与文献材料,钩稽伍德彝印章。
Deyi Wu’s ancestors operated Yihe Hong,which was a wealthy family during the Jiaqing and Daoguang periods of the Qing Dynasty.Deyi Wu was born in Tongzhi period,grew up in a family with abundant economic conditions and strong cultural atmosphere.His calligraphy,painting,poetry and seals still exist.At present,the academic circles have been involved in the monographic study of Deyi Wu in the fields of calligraphy,painting and poetry.The intersection research between Deyi Wu and Jianfu Gao has also made achievements,and the textual research of seals needs to be further studied.This paper attempts to focus on Deyi Wu’s painting “Four Screens of Flowers,Birds,Fish and Insects”,which is now stored in Guangzhou Art Museum and has been collected and identified by Professor Geng Rong,a famous scholar,and “the Seals of Yizhuang”was collected by Sun Yat-sen Library of Guangdong Province and “the Seals of Feisheng Pan for His Own Use ”was collected by HaiZhu Cultural Heritage and Relic Administration Centre of Guangzhou,carry out a historical and artistic investigation of the Seals of Deyi Wu,combined with relevant collections and literature materials.
作者
卢敏智
Lu Minzhi(Cultural Relics Museum Management Center in Zhuhai District of Guangzhou,Guangzhou Guangdong,510000)
出处
《地方文化研究》
2022年第4期60-71,共12页
Local Culture Research
基金
2020年度国家社科基金冷门绝学研究专项“广州十三行印章印迹整理研究”(项目编号:20VJXG005)阶段性成果。
关键词
十三行
行商后裔
伍德彝
印章
Descendant of the Thirteen
Hong merchants
Deyi Wu
Seals