摘要
早期新诗的创作,代表了大多数青年寻新求变的思想状态以及情感心理,其本身是内化于思想革命、社会改造的整体文化逻辑之中。胡适《尝试集》中运用第三人称代词表达的诗歌,将“白话新诗”从语言层面深入现实层面;从第三人称代词及其复数变换的层面探寻到《尝试集》背后的主体意识,即主义与文学、历史及现实的关系。可以看出,第三人称代词在《尝试集》中的运用隐含着新诗中的自我与他者意识同各种政治力量、话语势力的协商周旋,关系着当时社会的价值取向。因此,早期新诗的诗学意义与立场建构,共同构成了思考近代中国的视角和方法。
The creation of early new poems represents the ideological state and emotional psychology of most young people seeking innovation and change,which itself is internalized in the overall cultural logic of ideological revolution and social transformation.The poems expressed by third-person pronouns in A Collection of New Poems bring the“vernacular new poetry”from the linguistic level to the realistic level.From the perspective of third person pronoun and plural transformation,this paper explores the subject consciousness behind A Collection of New Poems,namely,the relationship between doctrine and literature,history and reality.It can be seen that the use of third-person pronouns in the collection implies the negotiation between the consciousness of self and others in the new poem and various political and discourse forces,which is related to the value orientation at that time.Therefore,the poetic significance of the society and standpoint construction of early new poetry together constitute the perspective and method of thinking about modern China.
作者
王梦磊
苏永前
WANG Menglei;SU Yongqian(College of Chinese Language and Literature,Xi’an International Studies University,Xi’an,Shaanxi 710128)
出处
《湖南第一师范学院学报》
2023年第1期68-75,共8页
Journal of Hunan First Normal University
关键词
《尝试集》
人称代词
白话新诗
诗学内涵
A Collection of New Poems
personal pronoun
vernacular poetry
the poetic connotation