摘要
Despite a poster at the entrance of the exhibit that warns,"This content is not suitable for children,"the first artwork on view in Xiang Jing's electrifying career ret-rospective at the Long Museum is a statue of a young girl who's sneaking a peek at the rest of the exhibit.She's wearing a white dress,her hands cupped against her eyes as she peers into a wall erected especially for the show.Likely to maximize the overwhelming effect of Xiang's statues,the curators sliced up the Long Museum's airy rooms into thin,maze-like sections,so that only a few works are visible at a time.
