摘要
新中国成立后,漆工艺风格的演变展现了新时代下的审美倾向和风格演进的内在推动力。其中,创汇需求对其风格的影响与推动是不容忽视的。本文一方面考察了1949~1982年创汇需求与漆器风格的关系,指出在长期外销导向型经济中,我国的出口漆工艺品呈现怀古风格的现象;另一方面分析了1982年后的漆工艺设计发展逻辑中长期自我刻板印象下漆器设计风格探索停滞的原因。
In the period of economic recovery after the founding of People’s Republic of China,it is very important to maintain the leading export position of China’s lacquer craft products in Asia under the economic background of earning foreign exchange,and to reflect the innovation and changes of China’s traditional arts and crafts in the new era.On the one hand,this paper examines the relationship between foreign exchange earning demand and lacquer style from 1949 to 1982,and points out that under the long-term economic dependence,China’s export lacquer handicrafts show“nostalgic style”,which is obviously restricted in process development;on the other hand,it analyzes the development logic of lacquer process design after 1982,and points out that the long-term self-stereotype leads to the stagnation of lacquer design style exploration.
作者
索浩楠
左洪亮
Suo Haonan;Zuo Hongliang
出处
《中国生漆》
2022年第4期20-24,共5页
Journal of Chinese Lacquer
关键词
创汇需求
怀古风格
漆工艺
刻板印象
foreign exchange earning
Nostalgic style
lacquer craftsmanship
Stereotype