基于镜像理论的景观社会批判--探讨人的生存境遇

Criticism of the Society of the Spectacle on the Theory of Mirror Stage--Discussion on the Living Conditions of Human

随着资本主义生产方式的不断成熟,商品日益富裕、媒介深入生活,西方社会进入了以影像为主要特征的景观社会。德波的景观社会批判是对这种新的社会变化的反思。在景观社会中,人的存在被遮蔽与消解。但德波面对个体被构成景观意识形态的一部分这一困境是无力和悲观的,他宏大叙事的理论立足点无法提出建设性方案。而拉康的镜像理论是个体与世界的联结,从个体的微观角度填补了德波理论的漏洞。借助拉康的镜像理论,可以从大他者、小他者和欲望三个方面探寻景观社会中人的存在状态并思考人何以复活和重塑。本文以拉康的镜像理论为辅助方法,从人自身出发探讨德波的景观社会批判。

With the continuous maturity of the capitalist mode of production,increasingly affluent commodities and in-depth media life,western society has entered the society of the spectacle characterized by images.Debord's the society of the spectacle criticism is a reflection on this new social change.In the society of the spectacle,human being is covered and eliminated.However,Debord is weak and pessimistic in the face of the problem that individuals are part of landscape ideology.He can not put forward constructive plans because his theoretical foothold of grand narration.Lacan's the theory of mirror stage is the connection between the individual and the world,which fills the vulnerabilities of Debord's theory from the perspective of individual micro.With Lacan's the theory of mirror stage,we can explore the state of human being under the criticism of the society of the spectacle from three aspects including the big Other,the little other and desire,and think about the resurrection and reconstruction of human.Based on Lacan's the theory of mirror stage,this paper discusses Debord's the society of the spectacle criticism from the perspective of individuals.