写实主义摄影的边界拓展与价值重构——论中平卓马的摄影探索

BOUNDARY EXPANSION AND VALUE RECONSTRUCTION OF REALISTIC PHOTOGRAPHY——ON TAKUMA NAKAHIRA’S PHOTOGRAPHY EXPLORATION

中平卓马是日本摄影史的传奇人物,他的摄影理论及实践围绕摄影的本体语言,探讨摄影媒介如何呈现个人与现实世界的关系。本文通过分析中平卓马摄影作品的极端转变及其对纯粹摄影的追求,呈现了写实主义摄影的边界拓展与价值重构,以期为泛娱乐化的大众摄影文化提供良性引导。

Takuma Nakahira is a legendary figure in the history of Japanese photography. His photography theory and practice revolve around the ontological language of photography,exploring how the photographic medium presents the relationship between the individual and the real world. By analyzing the extreme transformation of Takuma Nakahira’s photographic works and his pursuit of pure photography, this article presents the boundary expansion and value reconstruction of realistic photography, with a view to providing benign guidance for the pan-entertainment popular photography culture.