“圆满中和”的传统价值观在现代陶艺中的体现与运用——以陶艺作品《浮云》为例

The Embodiment and Application of Traditional Values of "Perfection and Neutrality" in Modern Pottery——Taking the Pottery Work "Floating Clouds" as an Example

“一阴一阳谓之道”这句话出自《易经》,阴阳哲学的内核为对立面的统一和谐,强调矛盾相互对立,相互渗透,相辅相成的观念。在陶瓷艺术体系中,泥土的湿与干,拉坯力度的强与弱,利坯的厚与薄,釉料的稀与稠等之间的矛盾统一关系,是说彼此间互相渗透、相辅相成、得当适中,这是东方文化中“圆满中和”思想的体现。万事万物都有两面性,所谓孤阴不生,孤阳不长。正如一块磁铁,永远有N极和S极,磁铁被分开后也会从中出现新的N极和S极。本文从正负两极中汲取灵感,以“和谐圆满”为切入点,用陶瓷材料再现东方“阴阳相生”的艺术哲思,研究其美学层面上对中国陶瓷艺术带来的影响,并借此对中国传统文化进行解读。

The phrase "One yin and one yang is called the Way" is from the Book of Change. " The core of the philosophy of yin and yang is the unity and harmony of opposites, emphasizing the concept that contradictions are opposed to each other, interpenetrating and complementing each other. In the ceramic art system, the contradictory and unifi ed relationship between the wet and dry of the clay material, the strength and weakness of the casting, the thickness and thinness of the cutting, the dilution and concentration of the glaze, etc., refers to the mutual penetration,complementary, appropriate and moderate, which is the embodiment of the idea of " perfect harmony " in Eastern culture.There are two sides to everything, as the saying goes, " No yin is born alone, no yang grows alone. Just as a magnet always has N and S poles, a new N and S pole will emerge from the magnet after it is separated. This paper draws inspiration from the positive and negative poles, takes "harmony and perfection" as the entry point, reproduces the artistic philosophy of "Yin and Yang" in the East with ceramic materials, studies its aesthetic impact on Chinese ceramic art, and uses it to interpret traditional Chinese culture.