意象消隐、古典语词与“造境”传统——20世纪80年代“文化寻根”诗片论

From the Disappearance of Images to the“Creation of Environment”of Ancient Words and Expressions:On the Poetry of“Cultural Root-Seeking”in the 1980s

20世纪80年代的“文化寻根”诗现象是“寻根文学”的先声亦是其重要组成部分。作为“汉诗”的一次实践,其诗歌的古典重构值得注意。从意象建构到古典语词的游戏转变是“文化寻根”诗的隐在特征:古典语词的大面积汇入,与拼贴、反讽等现代主义手法的融合,让“文化寻根”诗兼具古典与现代相杂糅的审美质感;对“造境”传统的继承,使得诗人在古与今、个体与传统的游走中拓宽了新诗在当代的路径,并以现代人的目光去发掘文化历史中的民族根性。

The phenomenon of“cultural root-seeking”poetry in the 1980s is the precursor to“root-seeking literature”and is an important part of it.As a practice of“Chinese Poetry”,the classical reconstruction of the poetry is worth noting.The transformation from the construction of classical images to the game of classical words is the hidden feature of the“cultural root-seeking”poems.The large-scale influx of classical words,and the integration of modernist techniques such as collage and irony,make the poetry of“cultural root-seeking”have the aesthetic texture of a blend of classical and modern.The wandering of the present,the individual and the tradition makes the poet broadens the path of new poetry in the contemporary era,and explores the national roots in culture and history with the eyes of modern people.