十三行时期广彩瓷“满大人”纹饰艺术特征研究

Study on the Artistic Characteristics of "Mandaren" Decorative Patterns of Guangcai Porcelain in the Shisanhang Period in the Qing Dynasty

十三行时期是清代中西贸易繁盛之际,广彩瓷作为中西文化交流的物质媒介应运而生,其中广彩瓷“满大人”纹饰描绘中国上流社会人物形象,不仅满足了西方世界对中国了解的欲望,并成为东风西渐的载体,催化了中西文化的交汇融合。本文立足于十三行特定历史时期,以广彩“满大人”纹饰为切入点,发掘其历史内涵及艺术特征。

During the shisanhang period, the trade between China and the West flourished in the Qing Dynasty. Guangcai porcelain came into being as the material medium of cultural exchange between China and the West. Among them, "Mandaren" ornamentation of Guangcai porcelain depicts the characters of China’s upper class, which not only satisfies the western world’s desire to know about China, but also becomes the carrier of the eastern fashion spreading to the west, catalyzing the convergence between Chinese culture and western one. Based on the specific historical period of shisanhang(thirteen-hong of Canton), this paper explores its historical connotation and artistic features with the ornamentation of "Mandaren" in Guangcai as the breakthrough point.