现实的层次——巴赞电影理论中的存在主义

Reality in Depth:Bazin’s Existentialism

重返巴赞就是要从当下出发重新构造电影和现实的关系。巴赞为电影理论引入了“现实”概念,也引入了作品和现实之间的复杂结构。若要充分展开巴赞为影像形式所设置的“现实”内涵,就不能绕开作为其思想背景的存在主义,尤其是存在主义的理论源头——海德格尔对于人的存在的分析。尽管巴赞和海德格尔思考技术的立场和态度有所差别,然而在他们对于存在的思考中都回应了重新奠基现实的决心,以及为此目标而付诸的重新描述现象的努力。

To return to AndréBazin is to reconstruct the relationship between film and reality from the present.Bazin introduces the concept of“reality”to film theory and the complex structure between work and reality.In order to fully elaborate the idea of“reality”that Bazin sets up,it is impossible to bypass the existentialism thought,especially the analysis of human existence by Heidegger,that is the theoretical source of existentialism.Although Bazin and Heidegger have different perspectives and attitudes towards technology,they indeed share the same concern of Being,which is to relay the foundation of existence,and the same effort to achieve this goal through phenomen-logos,in other words,phenomenology.