《追月》:在演艺成功与家庭完满之间

Chasing the Moon:Between Acting Success and Family Fulfillment

影片《追月》探索出三棱镜像式电影手法,让主叙事镜像、回忆叙事镜像和舞台叙事镜像三部分相互交融在一起,同时自觉追求清冷温润的影像风格,突出浙江地缘文化精神的表现力。全片最出彩之处是戚老师艺而忘生的艺术家形象,她与儿子秋生之间构成一对反面镜像组合。圆形结构与烘云托月法的运用有助于刻画人物形象。影片为演艺成功与家庭完满间矛盾提供中国式化解方案,突出中国式心性智慧传统的力量。影片还体现出自反性艺术电影的特色。

Chasing the Moon explores the image of triangular prism in film technique,lets the main narrative image,the recollection narrative image and the stage narrative image intermingle with each other.At the same time,consciously pursue the cool and moist image style,highlighting the expression of the spirit of Zhejiang’s geographical culture.The most outstanding part of the film is Qi’s image of an artist who forgets family life by her art.She and her son,Qiu Sheng,form a pair of mirror images.The use of circular structure and the method of toasting clouds to hold the Moon helps to depict the characters.The film provides a Chinese solution to the conflict between acting success and family fulfillment,highlighting the power of the Chinese spiritual wisdom tradition.The film also reflects the characteristics of reflexive art film.