重构迷宫空间:阿根廷贫民窟电影的叙事

Reinventing the Labyrinth Space:Narratives in Argentine Slum Films

贫民窟空间内嵌于阿根廷电影史,且与贫民窟社群破除刻板印象的斗争相伴生。20世纪30年代,银幕上的贫民窟因阻碍民族整合而遭污名化;20世纪50年代中期,贫民窟电影转向了现实主义的调研记录;后独裁时期,贫民窟电影以见证影像为特征,让遭官方抹除的历史暴力显影;21世纪初,贫民窟电影衍生出被叙述者和发声者重合的新话语机制。考辨阿根廷贫民窟电影在不同阶段的差异性表征与话语功能有助于思考边缘群体如何经由电影实现反信息的历史诉求。

Slum film as a subgenre is embedded in the evolution of Argentine cinematic aesthetics and the slum communities’struggles to challenge the stereotypes.In the 1930s,slum was stigmatized on screen as an obstacle to national integration;in the mid-1950s,influenced by the European New Waves,this subgenre turned to realistic documentation of subaltern subjects;during the dictatorship,slum film was characterized by testimonio of historic violence which had been officially erased;at the beginning of the new millennium,with the support of new technologies and policies,slum film has developed a new discourse,in which for the first time allows for the identification of the narrated and the enunciating subjects.Mapping different forms of historic discursive functions of Argentine slum films is crucial to examine the strategy of counter-information from marginal films.