苏轼《念奴娇·赤壁怀古》三种文本形态考辨

The consideration and basis of three text forms in Su Shi’s Chibihuaigu

苏轼《念奴娇·赤壁怀古》存在三种文本形态,即手写本、石刻(刻帖)和刊刻本。清人朱彝尊据洪迈《容斋续笔》卷八“诗词改字”条所载黄庭坚手写本确定《赤壁怀古》文本,时人颇有微词;当代一些学者以现存苏轼、黄庭坚书《赤壁怀古》石刻(刻帖)为校勘依据,然书迹皆系伪作;南宋曾慥刊本《东坡乐府》和傅幹《注坡词》以辗转抄录的方式流传下来,可资参考。北京大学图书馆藏宋刊本胡仔《苕溪渔隐丛话后集》所引东坡《赤壁怀古》文本颇具校勘价值,然这则材料一直未被学界发现和利用。

There are three kinds of text forms in Su Shi’s Niannujiao Chibihuaigu,that is,handwritten book,Stone Carving Book and Printed Book.Zhu Yizun of the Qing Dynasty confirmed the text of Chibihuaigu according to the handwritten version recorded by Huang Tingjian in Shicigaizi in Hong Mai’s Rongzhaixubi.Some contemporary scholars use the extant stone carvings of Chibihuaigu,written by Su Shi and Huang Tingjian,as the basis for collation,but the calligraphy works are all fake;Zeng Zao’s Dongpoyuefu and Fu Gan’s Zhupoci,which were printed in the southern Song Dynasty,have reference value.The text of Su Shi’s Chibihuaigu quoted in Tiaoxiyuyinconghuahouji,a song magazine collected by the Peking University Library,is the most valuable one for collation.However,due to the errors and correction of the collated text,it has not been found and utilized by the academic circles.