佛家精神与葛亮的小说创作——以《朱雀》《北鸢》为中心

The Spirit of Buddhism and Ge Liang’s Novel Creation——Foused on Rosefinch and Beiyuan

葛亮的小说充满了佛家的调性,不浮不躁,自成一方天地。佛家所讲“色空”“因果”“轮回”,在葛亮《朱雀》《北鸢》这两部小说中均有体现。葛亮笔下的人物,除了散发的人性光辉以外,还笼罩着似有还无的佛性,这种佛性,让小说人物处在虚实之间,斑驳婆娑却又无比真实;同时也是这种居于人性之间的佛性,让小说人物在面对命运无常、人生沉沦时,能从中得到大解脱、大自在。佛家精神被葛亮融入小说的结构与肌理之中,既成为奠定其小说气质的外化质素,也化作了小说人物抗争的内在力量,更为小说文本打开现代叙事经验之外的古典抒情空间提供了一个支点。

Ge Liang’s novels are full of Buddhist tonality. The Buddhist theory of“color and emptiness”,“cause and effect”and“reincarnation”are both reflected in Ge Liang’s Rosefinch and Beiyuan. In addition to the brilliance of humanity,the characters in Ge Liang’s works are also covered with the Buddha nature,which seems to have yet to exist. This Buddha nature makes the characters in the novel stand between the virtual and the real. At the same time,it is the Buddha nature between human nature that enables the characters in the novel to get great relief and freedom when facing the impermanence of fate and the sinking of life.The spirit of Buddhism is integrated into the novel by Ge Liang,which not only becomes the external quality that lays the foundation of his novel temperament,but also turns into the inner strength of the novel characters’ struggle,and opens the classical lyric tradition beyond the modern narrative experience.