摘要
对中国宋代漆器研究的转捩可以1960年在伦敦举办的“宋代艺术展览”为一个标志。该展览首次汇聚展出了流传于欧美博物馆的多件宋代素髹漆器,主办方在展现宋代艺术整体风貌的意图下突出了宋代漆器的位置,由此引发了对宋代素髹漆器的关注和研究,并为20世纪下半叶宋代漆器研究在西方的迭起埋下了伏笔。
"The Arts of the Sung Dynasty" exhibition could be a signal of the turning of the research on Chinese Song Dynasty lacquer wares.For the first time,this exhibition brought together a number of Song Dynasty lacquer wa res,which were circulated in European and American museums.Under the intention of showing the overall style of Song Dynasty art,the organizer highlighted the position of Song Dynasty lacquer wares.This caused attention and research about plain lacquer wares of the Song Dynasty,and also laid the groundwork for the development of the study of lacquer wares in the Song Dynasty in the west in the second half of the 20th century.
出处
《南京艺术学院学报(美术与设计)》
CSSCI
北大核心
2023年第1期84-89,I0003,共7页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
浙江省哲学社会科学领军人才培育课题“青年英才培育”项目(21QNYC08ZD)
国家社科基金艺术学重大项目《东方设计学理论建构研究》(18ZD19)。
关键词
宋代艺术展览
漆器
海外
迭起
"The Arts of the Sung Dynasty"Exhibition
Lacquerware
Overseas
Development