从形象到模式——论杜夫海纳审美知觉中的想象力

From Image to Schema——On Dufrenne’s Imagination in Aesthetic Perception

杜夫海纳从现象学美学角度出发,对审美知觉中的想象力问题进行了深入探索。其区分了一般知觉中的想象力和审美知觉中的想象力。一般知觉中的想象力不仅有先验想象发挥作用,开辟了对象得以诞生的时空场,还存在着经验想象将对象具体化为可见的静态形象,由此实现认识层面的超越。审美知觉中仅存在着先验想象发挥作用,产生出具有动态生成性的感性模式,由此实现审美层面的跨越。从静态形象到动态模式的发展过程,反映了想象力在知觉运作过程中实现的审美维度的跨越,这一跨越也走向了人与自然的本源和谐,由此实现了深层自我的审美化自由存在。

From the perspective of phenomenological aesthetics, Dufheiner explores the issue of imagination in aesthetic perception,distinguishes the imagination in general perception with the imagination in aesthetic perception. The imagination in general perception can play the role of a priori imagination, opening up the space-time field in which the object can be born, and the empirical imagination can concretize the object into a visible static image, thus realizing the transcendence on the cognitive level. In aesthetic perception, only the transcendental imagination plays its role, producing a perceptual pattern with dynamic generation, thus achieving a leap in the aesthetic level. The development process from static image to dynamic mode can reflect the transcendence of the aesthetic dimension realized by the imagination in the process of perceptual operation,and this transcendence will lead to the harmony of the origin of man and nature, thus realizing the aesthetic free existence of deep-self.