加塔利生态智慧中主体性生产思想论析

An Analysis of the Idea of Subjective Production in Guattari's Ecosophy

伴随着“人之终结”宣言的提出,主体性面临“无处可寻”的困境,主体性生产被剩余价值所控制。菲利克斯·加塔利为应对主体性及其生产的危机,创造性地提出了生态智慧理论,将狭义的、专指自然的生态扩展至广义的三大生态领域,即迈向机械圈的自然生态、趋向群体主体性的社会生态以及走向欲望生产的精神生态。加塔利以生态智慧为基石,将主体性生产转化为持续的审美过程,构建了以伦理美学范式为旨归的生态艺术,从而确立了作为创造力存在的生态哲学的责任。加塔利对生态智慧理论的阐发是一次构建生态美学新范式的积极尝试,具有一定的理论和现实意义。

Along with the declaration of“the end of man”,subjectivity was faced with the dilemma of“nowhere to be found”,and the production of subjectivity was controlled by surplus value.To address the crisis of subjectivity and of the production of subjectivity,Félix Guattari proposed the theory of ecosophy,which expanded the narrow,nature-specific ecology to the broader three ecological domains,namely,the natural ecology toward the mechanical circle,the social ecology toward collective subjectivity,and the mental ecology toward the production of desire.With ecological wisdom as the cornerstone,Gattari transformed the production of subjectivity into a continuous aesthetic process and constructed ecological art with an ethical-aesthetic paradigm as its aim,thus establishing the responsibility of ecological philosophy that exists as creativity.Gatali's elaboration of ecosophy is an active attempt to construct a new paradigm of ecological aesthetics with theoretical and practical significance.