“江汉朝宗”意象跨文体跨媒介传播下的经典化形塑

Canonization of the Image JiangHanChaoZong in Cross-styleand Cross-media Communication

“江汉朝宗”是一个来自于《尚书》《诗经》中的经典意象,在文学发展历程中,随时代语境的变迁而逐渐被广泛使用。“江汉朝宗”意象在文学作品中具有三重意义:带有一定疆域空间想象的自然地理景观;君臣宗藩四海会同的政治象征;尊祖敬宗、标榜世泽的家庭伦理符号。考察它的经典化历程,可以发现它不仅出现在各种文体中,还进入到图像、音乐和戏曲领域中,通过跨文体、跨媒介传播实现经典化形塑。晚唐以前,“江汉朝宗”作为自然景观出现在文学作品中;唐朝以后,以“江汉朝宗”为主题的文学作品增多;元、清是其创作繁盛时期。

"JiangHanChaoZong"is a classic image in"Book of History"and"Book of Songs".In the development of literature,it has gradually been widely used with the change of linguistic context of the time.The image of"JiangHanChaoZong"has three meanings in literary works:Natural geographical landscape with certain spatial imagination of territory;A political symbol of the unity of Kings and vassals;The family ethics symbol of honoring ancestors and flaunting the world.By investigating its canonization process,we can find that it not only appeared in various literary styles,but also entered the fields of images,music and drama,and realized its canonization in cross-style and cross-media communication.The ups and downs of his creation are related to the change of social and cultural context after the Song and Yuan dynasties.