从后现代主义风格看矶崎新设计——以深圳市文化中心为例

New Lsozaki Design from Postmodernism Style——Take the Shenzhen Cultural Center as an Example

该文以建筑大师矶崎新设计的深圳文化中心为例分析其建筑及室内设计表现出来的后现代主义特征,通过分析矶崎新本人的建筑理论探究建筑与室内设计中后现代主义的运用。深圳文化中心作为矶崎新在中国通过竞争赢得的第一个实施项目有巨大的研究价值,在设计上更能体现出他本人的地域性设计思想。

This paper analyzes the postmodernism characteristics of the Shenzhen Cultural Center designed by the architect Isozaki Shin as an example,and explores the use of postmodernism in architecture and interior design by analyzing Isozaki’s own architectural theories.The Shenzhen Cultural Center,the first project that Shin Isozaki won through competition in China,is of great research value and reflects his own regional design ideas in its design.