图像内外:清代王云《休园图》的家族形塑倾向

Inside and outside of the Painting:the Making of Family in Wang Yun’s Drawing of Xiuyuan in the Qing Dynasty

《休园图》由清代康熙年间画家王云绘制,再现了清代扬州郑氏休园中的典型景观以及园居生活。图中蕴含了文化型家族的形塑意识,画中的人物、器物、禽鸟均是充满象征意义的图像符号,折射出深厚的文化内涵,凸显了郑氏家族的儒士形象。《休园图》在绘画风格上兼收并蓄,色彩艳丽的建筑与清幽的山石草木共同构成了雅逸的场域,侧面衬托郑氏家族的文化形象。《休园图》中的园记题写及图外相关的文字记录,与《休园图》互补互证,共同构建了形塑郑氏家族的文图体系。

Drawing of Xiuyuan was painted by Wang Yun during in the early Qing Dynasty,depicting the typical landscape and garden life of Zheng’s family garden in Yangzhou in the Qing Dynasty.People,utensils and birds in the picture are all image symbols which full of symbolic meanings,reflecting profound cultural connotation and highlighting the Confucian scholar images of Zheng’s family.The picture was eclectic in painting style,colorful buildings,and the quiet mountains and trees constituted an elegant circumstance,which serve as a foil to show the cultural image of the Zheng family.The garden inscriptions in the picture and the relevant written records outside the picture complement and verify each other,both of which shaped the textual system of the Zheng’s family.