越界·互换·融合——中国化爵士乐的生成路线与认同政治

Transcendence, Interchange, and Fusion——Forming Process and Political Identification of Chinese Jazz

近年来,中国化爵士乐通过二十多年的努力逐渐展现其特色。爵士乐的中国旅行导致“他我互换”的文化杂交与人称对转;作曲是对爵士乐合法化、为其提供文本权威性并帮助它克服身份焦虑的一种思路和渠道;中国化爵士乐发展出内在性和外在性两套不同的融合机制,引发自我认同和集体认同;爵士在中国的意义还体现为中国乐手在否定性条件下的学习经验。

Chinese jazz has increasingly demonstrated its own characteristics in recent years after the efforts of more than 20 years. The popularization of jazz music in China resulted in the cultural hybridization and the shift of personal pronouns. Music composition is an effective way to popularize jazz, provide it with the textual authority, and overcome its identity anxiety. Chinese jazz has developed in two different integrated mechanisms, inner and outer, bringing about self-identification and collective identification. The significance of jazz in China is also manifested in the learning experience of the Chinese musicians under the negative conditions.