解析摄影与戏剧在蒙克作品中的体现——以《手持烟的自画像》为依据

Analysis of the Embodiment of Photography and Drama in Munch's Works:Based on Self-portrait with Cigarette in Hand

文章以爱德华·蒙克职业生涯的黄金期——即表现主义风格形成时期的作品《手持烟的自画像》为依据,通过分析波西米亚式的生活怎样贯彻于画家的日常行为,由童年阴影和情感创伤何以对他作品主题产生影响,以此来模拟蒙克对于生活的感知和理解,分析其作品是如何因记忆和想象而形成特殊的风格。蒙克生前除了创作有大量绘画作品,也涉及过建筑空间和戏剧场景的设计。他还痴迷摄影,利用摄影来辅助绘画。他作为业余摄影师所尝试的实验使他在捕捉回忆和创作绘画之间找到了平衡。

This paper is based on Self-portrait with Cigarette in Hand,a work of Edvard Munch in the golden period of his career,that is,the formative period of expressionist style,by analyzing how Bohemian life is carried out in the painter's daily behavior,and how childhood shadows and emotional trauma affect the theme of his work,in order to simulate Munch's perception and understanding of life,analyse how his works form a special style due to memory and imagination.In addition to creating a large number of paintings,Munch has also been involved in the design of architectural space and dramatic scenes.He is also obsessed with photography,which is used to assist painting.The experiment he tried as an amateur photographer made him find a balance between capturing memories and creating paintings.