淡逸清俊,隽雅葱茂——高飞油画作品中的意象图式

Elegant and Pure, Quaint and Lush——Image Schema in Gao Fei’s Oil Paintings

“意象”作为中国传统文人画特有的艺术形态,在百余年的油画艺术中国化的进程中,被越来越多的画家所关注,并形成了各自的绘画图式。高飞植根于安徽地域本土,吸收和借鉴中国传统美学思想和艺术精神,通过借景造境——构建作品的象征性、以色抒情——强调色彩的特质美、用笔畅神——探询笔法的灵动感,实现了油画这种外来艺术形式的“语境转换”,建构起自身油画作品独特的写意图式。作品既凸显油画本体意味,又充满中国传统绘画的意象图式特色,创造出美的境界。

As a unique art form of traditional Chinese literati painting, "imagery" has been paid attention to more and more painters in the process of oil painting sinicization over the past hundred years, and they have formed their own painting patterns. Rooted in Anhui, Gao Fei absorbs and learns from the traditional Chinese aesthetic thoughts and artistic spirit, and creates the artistic conception by using the scenery--constructing the symbolism of the works;Expressing the emotion with color--emphasizing the special beauty of color;by exploring the spirit of brushwork, it realizes the "contextual transformation" of this foreign art form, and constructs the unique freehand schema. The works not only highlight the meaning of oil painting itself, but also are full of the image schema characteristics of traditional Chinese painting, generating the realm of beauty.