当代文学批评的媒介间性及其话语生产——兼及构建跨媒介文学阐释学之可能

The Intermediality of Contemporary Literary Criticism and Its Discourse Production——On the Possibility of Constructing the Trans-medial Literary Hermeneutics

随着技术媒介对文学场域的深度介入,基于媒介间性的方法论视角来审视当代文学批评成为可能。它揭示了长期以来为语言中心主义遮蔽的文学批评跨媒介生产的事实,促成文学批评从文本到生产主体层面的诸多转向——从复合符号的批评文本结构到集转化与批评于一体的合体形式,从批评话语感性机制的凸显到集体性批评主体的公约性话语生产。当代文学批评的媒介间性成就了跨媒介文学阐释的可能性,在催生媒介时代特定文学批评范式的同时,也改写了媒介在文学场域的价值认知,对构建当代中国文论自主性的知识话语具有启发意义。

With the extensive presence of technological media in the literary field, it has become possible to examine modern literary criticism from the methodological perspective of intermediality. It not only reveals the fact of trans-medial production of literary criticism, which has long been obscured by language centrism, but also contributes to many shifts in literary criticism: from the textual to the production subject level, from the structure of critical texts with composite symbols to the form of an amalgamation of transformation and criticism, and from the prominence of the perceptual mechanism of critical discourse to the production of the conventional discourse of the collective criticism subject.The intermediality of contemporary literary criticism has enabled the possibility of trans-medial literary interpretation. While giving birth to a specific literary criticism paradigm in the media era, it has also rewritten the value perception of the media in the literary field, which is also motivating for the development of an independent intellectual discourse of contemporary Chinese literature.