郭沫若书信中的楷书风貌探寻

Exploring the Style and Features of Regular Script in Guo Moruo s Letters

郭沫若楷书书迹较少,其书信中的楷书字体多是青年时期与其父母之书,且相对水平不是很高,但却是研究郭沫若楷书书法的重要参考材料。通过对郭沫若书信中楷书风貌的研究,能够明确他早年的学书出处,更利于今后全面研究郭沫若的书法艺术。在现有能够查阅到的书信中,郭沫若楷书展现出三种风貌:一是欧颜风貌,结构谨严,风神遒脱,骨气凛然,体现出了郭沫若幼年学欧学颜的楷书基本功力;二是苏体风貌,兼有写经书风,字取横势,斜逸开张,突显出东坡楷书对郭体楷书的影响,尤其体现了写经书体对郭沫若楷书书风的影响;三是王(宠)体风格,这是在欧颜的基础上,另辟蹊径,结合明代王宠楷书的艺术特征,通过融会贯通,表现出了飘逸闲雅、含蓄秀美的楷书风貌。

Guo Moruo has few regular script,and the regular script in his letters are mostly from his parents in his youth,and the relative level is not very high,but it is an important reference material for studying Guo Moruo s regular script calligraphy.Through the study of the style and features of regular script in Guo Moruo s letters,we can clarify the source of his early study of calligraphy,which is more conducive to the comprehensive study of Guo Moruo s calligraphy art in the future.Among the available letters,Guo Moruo s regular script mainly shows three styles:first,the style of Zhao Xueou and Yan Zhenqing:the structure is rigorous,the style is elegant,and the backbone is awe-inspiring,which reflects Guo Moruo s basic skills of learning from Zhao Xueou s and Yan Zhenqing sregular script in his childhood;the second is the style and features of Su style,which has both the style of writing scriptures and the style of writing scriptures.The characters are horizontal and open,which highlights the influence of Su Dongpo s regular script on Guo style regular script,especially the influence of scriptural styleon Guo Moruo s regular script;the third is Wang(Chong)style,which is based on Zhao Xueou and Yan Zhenqing,develops a new way,combines the artistic characteristics of Wang Chong s regular script in the Ming Dynasty,and shows the elegant,elegant,implicit and beautiful regular script style through integration.