诗意舞台空间的别样表达——以原创昆剧《瞿秋白》舞台美术为例

Distinctive Expression of Poetic Stage Space:Taking on the Stage Art of Modern Kunqu Opera Qu Qiubai as an Example

昆剧《瞿秋白》的舞台美术以诗意圆融的审美风韵和极富巧思的艺术创新,精准贴合了剧目的整体质感。全剧舞美的设计风格契合戏曲传统与剧种特质,观照剧目内容与人物气质,舞美各要素充分配合剧本的情节叙事、导演的舞台调度与演员的人物塑造,以充满寓意和象征的舞台空间助力情感与意境的营造,同时,全剧基于当代审美对现代舞美技术与手法进行了戏曲化的创新性运用,从而开掘出虚实相生、动静互融、传统与现代共生的戏曲视觉审美空间,对戏曲现代戏的舞美设计极具启示与借鉴意义。

The stage art of Kunqu Opera Qu Qiubai fits the overall quality of the whole drama with its poetic and harmonious aesthetic charm and highly ingenious artistic innovation.The overall style of its stage art design is consistent with the tradition of traditional Chinese drama,the characteristics of Kunqu Opera,the content of Qu Qiubai and the temperament of the leading role.All elements of its stage art fully cooperate with the plot narration of the script,the stage scheduling of the director and the characterization of the actors.The stage space full of metaphors and symbols helps to create emotions and artistic conception.Based on the contemporary aesthetics,the modern stageart technology and techniques are innovatively applied in this play.On these basis,a visual aesthetic drama space has been created in Qu Qiubai where the abstract and the concrete coexist,the dynamic and the static blend,and the tradition and the modern co-exist,which has great enlightenment and reference significance for the stage art design of modern opera.