从背景山水到叙事山水:新时代中国电影山水意象的美学转换

From Background Landscape to Narrative Landscape:Aesthetic Transformation of Landscape Images in Chinese Films in the New Era

山水意象是百年中国电影中的重要审美元素,也是其中的一处独特风景,它在经历了从背景山水到象征山水再到景观山水的两次重要审美嬗变之后,迎来了以绿水青山叙事为美学特征的新时代。讲述新时代绿水青山故事、诠释“绿水青山就是金山银山”理念、传达家国情怀、传承以“天人合一”思想为核心的古老中国哲思和以“气韵生动”为核心的中国山水艺术精神等成为新时代中国电影山水叙事的核心主题。美丽山水的守望者、建设者和开拓者是这类电影着力刻画的三大类山水人物形象。树立中国山水电影主体意识、构建中国山水电影类型、拓宽山水表现与再现范畴、创新绿水青山叙事话语体系、开掘与丰富山水对象,是提升新时代中国电影山水叙事创作水平的必由之路。

The image of mountains and waters is an important aesthetic element in Chinese movies in the past century,and it is also a unique landscape.After experiencing two important aesthetic changes from background mountains and waters,symbolic mountains and waters to landscape mountains and waters,it ushers in a new era of aesthetics characterized by the narration of green mountains and waters.Telling the story of green mountains and waters in the new era,interpreting the concept that green mountains and waters are golden mountains and silver mountains,conveying the feelings of family and country,inheriting the ancient Chinese philosophy centered on the idea of "harmony between nature and man"and the Chinese landscape art spirit centered on "vivid charm"constitute the core theme of the mountain and water narrative of Chinese movies in the new era;The watchmen,builders and pioneers of beautiful mountains and rivers are the three major types of landscape characters that such films focus on depicting.Establishing the subject consciousness of Chinese landscape films,constructing the types of Chinese landscape films,broadening the scope of landscape expression and reproduction,innovating the narrative discourse system of green mountains and waters,and exploring and enriching the landscape objects are the only way to improve the level of Chinese film landscape narrative creation in the new era.