摘要
第四届杭州纤维艺术三年展于2022年秋在浙江美术馆举办,为期两个月。本届三年展的主题为“缓存在”,指向一种对纤维艺术更广泛、更深刻的思考,展览试图从理念开始,由一个个策展装置如“线索”和“绳结”串联成“线场”。60余位国内外当代艺术家的最新作品拓展了观众对纤维艺术的想象,中国艺术家在这场视觉盛宴中扮演了重要角色。此外,展览还展现了教学结合、公众参与等方面的成果。
The two-month Fourth Hangzhou Triennial of Fiber Art was held in the fall of 2022 at the Zhejiang Art Museum.Themed"Being Theoria",the exhibition aimed at provoking a broader,deeper thinking about fiber art,and tried to start from ideas,taking installations as"ropes"and"knots"to create"a rope field".Latest works of nearly 60 contemporary artists at home and abroad expanded visitors’imagination of fiber art,and Chinese artists,in particular,played an important role in this visual feast.In addition,the exhibition also showcased the results of public participation and integrating fiber art with teaching.
出处
《美术》
CSSCI
北大核心
2023年第3期26-30,2,F0004,共7页
Art Magazine
关键词
杭州纤维艺术三年展
缓存在
纤维艺术
the Hangzhou Triennial of Fiber Art
Being Theoria
fiber art