岂是张志和:徐梁、李璿合作《红衣垂钓图》题咏初探

Is it Zhang Zhihe:A Study on the Inscription of Fishing in Red Clothes by Xu Liang and Li Xuan

道光十三年(1833)九月,本命之年的张祥河邀请徐梁、李璿以宋元渔父图式合作《红衣垂钓图》,春柳堤岸、和风惠畅,呈现出一幅高逸的垂钓图景,并以“红衣”将像主置入缤纷的色彩中,从而引发无尽遐想。次年春夏之交,张祥河督粮赴京,遂邀请10位社友、同僚题咏行乐。题咏者大多着眼于画像上展示的“渔乐”之趣,同时又揭示出像主的现实之境。无论蓑衣渔父,还是红衣钓师,在张祥河那里,不仅仅是某种表象的游戏表演,也可以说是某种深沉的人生期盼。

In September 1833(the thirteenth year of the reign of the Emperor Daoguang),Zhang Xianghe invited Xu Liang and Li Xuan to create the Fishing in Red Clothes in the fisherman style of the Song and Yuan Dynasties.Gentle spring breeze and willows on the river bank created a cozy fishing scene,and the red clothes among various colors triggered infinite imagination.At the turn of the spring and summer of the following year,when he went to Beijing to supervise grains,Zhang invited ten of his friends and colleagues to write an inscription for this artwork.While most of them focused on the "joy of fishing" and described the reality of the fisherman,Zhang Xianghe considered both the red-clothed fisherman and fisherman in coir raincoat as superficial,or an expectation for life.