宗白华意境之“深”与德国美学的关系

The Relationship between“Depth”of Zong Baihua's Artistic Conception and German Aesthetics

宗白华的艺术意境说主要受到了德国美学理论的影响,他以此为依托建构出意境的空间性之“深”,并因此而独树一帜。首先,受康德影响,他认为意境的深来自艺术品自身的层次的深;其次,受叔本华影响,他认为意境的深来自对宇宙的深的认识;再次,受尼采影响,他认为意境的深来自艺术家的人生的深及其对悲剧性的揭示;最后,受斯宾格勒的影响,他认为意境的深来自其空间的深。而他也正是通过这不同维度的深,综合构建出了意境的深。

German aesthetic theories has largely influenced Zong Baihua's theory of artistic conception.Based on these theories,Zong marched to the beat of a different drum for his creating the deep spatiality of artistic conception.He held that the depth of artistic conception comes from(1)the depth of the artwork itself(influenced by Immanuel Kant);(2)the deep understanding of the universe(influenced by Arthur Schopenhauer);(3)the depth of the artists'life and their revelation of tragedy(influenced by Friedrich Nietzsche);(4)the depth of its own space(influenced by Oswald Spengler).Thus,Zong constructs the depth of artistic conception through the depth of different dimensions.