王昌龄“物境”说的激活及其理论效应——基于当代西方环境美学视域

The Activation of Wang Changling's Theory of Wujing and Its Theoretical Effects:Based on the Perspective of Contemporary Western Environmental Aesthetics

自王昌龄提出“物境”“情境”“意境”以来,“物境”被视为低层次的审美范畴,未受到应有的重视。从当代西方环境美学视域重新解读“物境”,能够实现传统理论的当代转化,扭转“物境”未被重视的局面。首先,“物境”与卡尔森所主张的“自然环境模式”可相互阐发,以此发掘“物境”的自然审美内涵,构建自然审美“物境”模式;其次,“物境”与物相、物性、物史、物功一起,可完善自然美特性系统,为自然审美批评提供比较全面的理论框架;再次,“物境”说深刻诠释了“身—心—境”三元论美学模式,为环境美学、生态美学提供了理论借鉴;最后,“物境”说已经融入园林艺术、环境规划活动中,富有实践品格。

Since Wang Changling put forward wujing(natural scenes),qingjing(emotional context)and yijing(artistic conception),wujing has been regarded as a subordinate aesthetic category and has not solicited due attention.Reinterpretation of wujingfrom the perspective of contemporary Western environmental aesthetics can obtain the contemporary transformation of traditional theories and reverse the situation of neglected wujing.