陕西榆阳石窑峁石窟第1窟明代壁画调查与分析

A Survey and Analysis on Murals of the Ming Dynasty in Grotto 1 of the Shi Yao Mao in Yuyang,Shaanxi Province

本文在充分实地调查的基础上,详细辨识石窑峁石窟第1窟明代壁画内容,并且分析了其中蕴含的思想内涵和艺术风格。认为前壁二郎神与城隍、关羽与土地具有护持道场的功能,反映了佛教信仰的民俗化倾向。左右两侧壁连同后壁已缺失壁画,构成以药师七佛为主体的药师经变,体现去除疾病、消灾祈福思想。壁画布局设计巧妙,技艺精良,将此前和同时期佛教艺术融汇贯通,又别出心裁形成独特风格,成为陕北地区罕见的明代壁画精品。

Based on a thorough field survey,this paper identifies in detail the mu rals of the Ming Dynasty in Grotto 1 of the Shi Yao Mao and analyzes the connotations and artistic style contained therein.It is believed that on the front wall of,Erlang God and Town God,Guan Yu and Land God can protect the Buddhist rites,reflecting the tendency to folk Buddhist beliefs.There have been murals on the left and right walls,and vanished mu rals on the back wall,make up the Bhaisajyaguru sutra centered on the Seven Bhaisajyaguru.This reflects the idea of eliminating disasters and praying for blessings.The murals in Grottoes of Shi Yao Mao display ingenious design,excellent skills,and integrate the Buddhist art of the previous and same period,so a unique style has been realized,which have become rare murals of the Ming Dynasty in northern Shaanxi.